Liz Webber is a versatile film editor with a wide range of experience. She started her career as a Sound and Music Editor and quickly moved into cutting Feature Films and TV Drama. Her work ranges from Action Movies and Thrillers such as Contaminated Man and After Alice to Period Drama including Mr Selfridge. VFX heavy work in The Colour of Magic, Alice in Wonderland and serious Drama such as Cherished and Shoot the Messenger - Shoot The Messenger was screened to widespread acclaim at New York's prestigious Tribeca Film Festival.
Co -Productions with Germany include The Other Wife and Shades of Love, based on the popular novels by Rosamunde Pilcher.
She has cut several Music led shows including Britannia High , Amina and Shuga as well as popular TV dramas such as Casualty and Law and Order UK.
Documentary Features include One Humanity and At home with The Noonans .
Throughout her career as an Editor she has worked across the UK, also in Hungary, Germany , Zimbabwe, South Africa , Canada and Los Angeles and is well versed in the demands of Productions at all levels. She is a very strong creative force and is passionate about her work.
Liz lives in North London

"I have been lucky enough to work with Liz for many years. I can't imagine anyone more sympathetic but tough. And fun. She cuts fast and very accurately - her intercutting of actors' reactions is particularly precise and intelligent, always finding the right moment. Good with producers as well as directors. Very highly recommended."
Giles Foster Director

"Liz is a passionate and committed editor - she cut the Grierson Award winning film 'Cherished' and contributed greatly to its success."
Robin Sheppard Director

"Dear Liz I am writing to thank you for all your fantastic work on Britannia High. I'm very proud of the series but I'm even more proud to have worked with the brilliant team that made it."
Kieran Roberts. Exec Producer

"I would like to take this opportunity to say many thanks for all you hard work on The Colour of Magic. Your efforts and enthusiasm have been much appreciated on what has been a demanding and ambitious shoot"
Sean Glynn . Line Producer The Colour of Magic

"I just wanted to say a huge thank you for all your hard work on The Bad Mother's Handbook . I can't remember a a production I've worked on which ran so smoothly and so well."
Harry Oulton Producer

"Having a creative, insightful Editor to partner up with is invaluable to getting the best out of the material telling stories on screen. It's a collaboration I enjoyed hugely with Liz on several prime time dramas over the last few years. Thankfully Liz always brings an invaluable guidance and objectivity. We had some terrific dramatic adventures."
Joss Agnew Director

"Liz Webber has edited ten of my films, including features, shorts and documentaries and it always been such pleasure working with her. She is an Imaginative, exciting, intuitive editor who listens hard to what a director wants but also provides a fresh eye after the intensity of a shoot. She comes up with great suggestions and If you can see past the fact that she is a Chelsea supporter, she is fantastic person to have on your team."
Ngozi Onwurah Director